The Hack

hack noun 1. a writer producing dull, unoriginal work.  2. a dry, unproductive cough

It was the end of a long, cold February day in Iowa City, and I had the pleasure of being in the company of an attractive woman.  The fact that she was a talker made her more so.  There was nothing more I wanted than for her to keep right on talking.  It was hardly the first time I had felt that way.  Winter is the loneliest of times.

“Do you weld?”

“I’m sorry?”

“Are you a welder?” she asked.  “My Dad was a welder.  He had lung trouble.  They finally found out it was because of the fumes.  Do you weld?”

“No.  I’m not a welder.”

“Well, I really hope they find out what is going on with you.  Hopefully this scan will help them do that.”

I imagined we had been moving through that scan like cattle, and the fact that she could hold such a thought for me, a stranger at the end of the day, I found remarkable.  It was no surprise that she would wonder if I was like her Dad.  By now I was used to wondering whether she wanted me to be.

I had never seen anyone wear black scrubs before, and why the gal with the CT scan was wearing them was beyond me.  If she looked like an angel, then it was the Angel of Death.  Surely there were more cheerful colors, for surely there were those getting much worse news than I.

I had lived the previous two years thinking my persistent cough was the omen of something inheritable and, until a few months ago, largely untreatable.  (You might think me a hypochondriac, but I never have been before and am too old to go around picking up new habits now.)  An hour prior to the scan, I had found out it didn’t have anything to do with an inheritance at all.  It might just be heartburn or a calcified lymph node causing a tickle.  This should have been good news, but in some strange way I felt unaffected by it.

Now I even felt disappointed.  Her concern was unwarranted.  Still, she didn’t know that, so I didn’t tell her.

To get to the precautionary CT scan, I had made my way through a series of waiting rooms.  Most in them were older.  One was younger.  For some moving from waiting room to waiting room is like living; for some it is like dying.  While we tend to think the two are different, perhaps the only differences are immediacy and how you want to look at it.

“Your shirt has metal snaps; it will have to come off.”

It did and in the process revealed the extra 15-20 pounds it was probably doing a poor job of hiding anyway.

“I will have you lay right here on this table.  Don’t worry about your boots; they’re fine.  Now if you would just place both your hands above your head…perfect.  All right, the table is going to move through the scan and you will hear a voice telling you how to breathe, until then just breathe normally.”

For the first time in my life, looking at my pale, white belly and my lanky arms devoid of tone, I felt old.  It passed, though.  I then closed my eyes and prayed that they find the harpoon that got me.

When it was over, I snapped the shirt, donned the long black coat, and stood up in the boots which allowed me to reclaim as many of the trappings of youth my receding hairline would allow.  On the way home I stopped in West Des Moines and filled a prescription for an antacid and an inhaler.  I paid the man and handed half of my reclaimed trappings back.

The World Series

World Series Panorama

“Ninety feet between home plate and first base may be the closest man has ever come to perfection.”

-Red Smith

I’ve always associated with interesting people. One would think, if I do so often enough, some of the interesting is bound to rub off on me, but alas, it is not to be. The party ends, the lights go out, and I go home the same boring sonofabitch I’ve always been.

One of the interesting people I know is a friend I first made in elementary school, Heath Banks. Heath is an umpire. He has called high school games beyond count, worked college games, and an occasional one in Triple A. A year ago he even worked a game in St. Louis’ Busch Stadium.

Once he tried to make it to the big leagues. If you are going to do it, you need to do it by the time you are 25. Heath made his run at the age of 24.

He breezed through the first cuts and earned considerable distinction in the process.  He drug that distinction behind him going into the final round.  Now he would be calling big league spring training games, and his performance had earned him not a only place in the main park for his first game, but also behind home plate. “On the stick” as they say.

Heath was nervous beyond all get out, but he was also anxious to get the game started and for the butterflies to disappear. Taking his position behind home, he squatted down in his stance and felt a long rip followed by a breeze blowing up his backside. There, on the biggest stage of his career, before the first pitch had ever crossed the plate, in what he had hoped to be his finest hour, Heath had ripped the seat right out of his pants.  The distinction behind him would do little to hide it.

“It was horrible. All I could think about was that everyone in the stands could see my whitey tighties. I wanted to crawl in a hole and die. There was nothing I could do. I couldn’t stop the game. I had to get on with it.

When the pitches started coming in, I could hardly see straight. I had no idea where they were. My strike zone was all over the place. Around the third inning an instructor came down and asked, ‘What the fuck are you doing out there, Banks? You look like a god damn clown.’

After that I kind of knew it was over. I got sent down to the bottom of the deck at some little, out of the way field. After a game or two I realized no one was coming by to see how we were doing, and they were never going to come. I spent the rest of my time drinking beer with the guys.”

Fifteen years after his tryout, I got a call from Heath mid-October. “Got a few World Series tickets to game 6 in Kansas City. Any interest?”

“Hell yes.”

It would be a stretch to call me a fan of baseball. It’s not because I don’t enjoy it. I enjoy it above all other games. It would be a stretch to call me a fan because I know so little about it, especially when it comes to one of the things which separates it from all other games: its grand mountain of statistics.

Yet here I was, three or four rows up from the outfield and forty feet from the foul pole. Looking up at it, it appeared as though it was a hundred feet high.  I thought of how a ball might be hit down that line and over the wall.  Half the country would hang in suspense on whether it was fair or foul. Perhaps it would be part of a moment that would live forever in baseball lore. I would be among the first handful to know, a few seconds ahead of those watching at home, a few milliseconds before it would be added to the mountain of statistics already mentioned.

Pleasure doesn’t lie in keeping a secret. It is found in knowing first what everyone else will come to know later.

AB's

Lunch at the famous Arthur Bryant’s

T Bones

Supper at Kauffman parking lot

All told, three of us had went down to see Heath, who was seeing all the home games that series. We spent the day in good company, eating the best food and having the occasional beer. I suppose it was the latter that had left me thinking I should share my observations on the sport I know so little about with the guy who actually gets paid to observe it. He didn’t seem to mind.

“Heath, I think the thing about baseball is the pauses. No other sport has them like baseball, and that’s too bad. During those pauses baseball places on you the full weight of the moment to come. The deep breath the pitcher takes just before delivery, the flight of the ball to home, all leave you waiting anxiously on the swing of the bat.”

Yes, I thought, whoever invented baseball knew a thing or two about anxiety and had simply built a game around it.

For Royals fans during that game, the potential of the second inning was realized beyond their wildest expectations. They would score 7 runs during it, and we whooped and hollered and drank more beer during the forty five minutes it lasted. Any anxiety drizzled out with the Giants hopes, and for the rest of the game the joy continued unabated.

World Series VIP

At the VIP

“So I was offered some tickets to the VIP party afterwards. What do you all think?” asked Heath.

We were speechless.

Beyond the outfield wall, in the white tents pitched inside a wrought iron fence, everything was complimentary.  We judiciously used the free food and beer to bring our dollar cost average down for the food and beer we purchased during the game. When the dust had settled, we had ate and drank cheaper than any happy hour special Des Moines could boast of, and we had done so with the rich and famous, or at least their second cousins.

Moose

Banks and Moose

We headed back to the hotel, where we happened onto one of KC’s brightest stars, Mike Moustakas. The evening had been full of so many “I can’t believe that just happened moments,” I didn’t doubt that had happened at all. We recharged, and headed for a bar just down the street from where we were staying, called ‘The Quaff.’

“The Quaff is an ‘umpire friendly’ bar. All the towns have them. It’s a place the umps can go after a game where the owners ensure they can enjoy a little peace and quiet,” Heath told us.

As we walked in the door, the bar was a series of three, long, narrow corridors. We were in the first one. Along one wall stretched the bar, down the center was a narrow aisle, and stretching along the backside was a series of booths that would hold two a piece comfortably and four if it had to. We took a booth.

Occupying the rest of them and lining the bar were Royals fans. Light blue hats and light blue jerseys were all oriented to the old, grimy, color televisions, which had probably also broadcast the last World Series the Royals were in.  They were still showing post game coverage on the MLB Network. These fans had watched the entire game from these seats, and we looked at each other, quietly sharing the secret that we had enjoyed the game from better ones.

We all had a dab of light blue ourselves. Most of ours had been purchased only a few hours prior.

Quietly we began to talk the way people always talk after the unbelievable happens. At least three of us, giddy as schoolgirls, did. Heath was already on his third game of the series, and by now was old hat at it. He just sat and smiled the way people always smile when they give the gift that lights up the face of someone else.

All of the sudden he looked up and said, “They’re here.”

Coming through the door into the sea of blue was the World Series umpire crew. There was Des Moines native Eric Cooper, his wife Tara, and their son. Cooper’s shaved head was in a Notre Dame hoodie, and behind it was the flat top of Jeff Nelson. Behind all of them was Ted Barrett, the only major league umpire to have been behind the plate for two perfect games. The Coopers should have been pretty familiar with Barrett. They not only umpire together, but Barrett, an ordained minister, had married them. Jim Reynolds, also umpiring the 2014 World Series, was married by Barrett as well.

As they walked around the sea of blue before them, not a single hat turned, and not a single “Hey, aren’t you….” was heard. Everyone remained oriented to the old color TVs, while we got up to join them and make our way to the back of the bar. We passed through the second corridor, housing pool tables, a dart board, and a jukebox full of Tom Petty albums, and landed, safe at third, in the back one housing the kitchen, the restrooms, and a couple of dim lit lights.

There in seclusion, we spent an hour or two, putting a cap on a hell of a good night. Just before we left, I realized I was all wrong about baseball. It had nothing to do with finding anxiety in its pauses and its base paths. We find that daily in our own lives. Instead it has everything to do with finding peace, even if it had left your ass hanging out in the breeze one day.

All of Us World Series

The Crew: Myself, Justin Banks, Heath Banks, Frank Hawk

A Legacy of Litigation

I thought I had just concluded my first television interview, and while the reporter for a local television station was preoccupied with putting his equipment away, the man behind the camera flipped off the bright light he had been pointing in my face, casually walked around it, and held his hands out for my mic. Having just managed to get it out from under my vest, I set the mic in one hand and the box attached to it in the other.

“Just between you and me, off the record, the whole problem here is Bill Stowe, isn’t it? I mean none of this was an issue before he came on the scene.”

He was referring to the manager of the Des Moines Water Works, whose board was about to file an intent to sue three northwest Iowa counties and their drainage districts over excessive nitrates in the Raccoon River, which is a partial source of the water the utility requires.

He still held his hands out, with the mic in them, right in front of me. The camera was still sitting on its tripod. If I were going to make a friendly wager, for some reason I would bet both of them happened to still be on. It didn’t really matter. The facts were what they were.

“Absolutely not,” I said. “Soil and water quality have always been a concern and a focus of many producers’ efforts. If anything has changed with Stowe’s arrival on the scene, it is Des Moines Water Works’ approach to the problem. I believe you would find LD Mc Mullen (Stowe’s predecessor) was a proponent of the collaborative approach, and built many relationships in that regard with the community upstream. Stowe has ended many of those and seems to be intent on going it alone. At the end of the day the challenge for improved water quality is such a complicated issue, I don’t see how it is going to take anything less than all of us working together to find a solution.”

The cameraman had to be disappointed. I could have made several off the cuff remarks which could have been sensational side bars that would help sell the story and gain viewers. In the end, I said the main focus of concern was actually a collaborative effort to improve  soil and water quality. That’s hardly a sexy thing to sell to viewers, and no one understands that better than Bill Stowe.

In the public meeting which followed the interview, Stowe left the sensational to the public comments of those in attendance. He made an effort to be above the fray, representing a utility facing an ever increasing risk of nitrates affecting its ability to deliver safe, drinkable water to its customers, and whose back was against the wall after having exhausted every opportunity to meet with the agricultural community.

His entire statement was broken into effective 30 or 40 second sound bites, ready to be assimilated by the media in attendance, and demonstrating what makes Stowe so particularly capable. The most glaring problems, however, were that none of it appears to be true, and no one seems particularly motivated to check. Numerous farm groups have tried to meet with Stowe, but to no avail. As just one example, a representative from the Iowa Soybean Association spoke on the relationship the two groups once enjoyed in working in a collaborative partnership.  A relationship which doesn’t exist today.

While Stowe maintains that collaborative effort got his utility nowhere, the Iowa Soybean Association points to their own samples, tested by the Water Works themselves, which show a 25% reduction in nitrate concentrations from 1999-2014 in the Raccoon River. These reductions were due to “refinement in cropping systems.” Their data is backed by the Iowa Department of Natural Resources, and the U.S. Geologic Service.

The next day I had a chance to be interviewed by an NPR reporter. I thought it went rough. At its conclusion I was asked, “This is really an urban vs. rural debate isn’t it?” I stumbled through the following:

“I fear that’s the way it will be portrayed by news outlets, I guess, but no, that is not how I see it. I see us in agriculture working with our local Soil and Water Conservation Boards, our local counties, our state’s Department of Natural Resources and Department of Agriculture, the National Resource Conservation Service, and the Environmental Protection Agency. Personally, I’m proud of these efforts and of this legacy. I’m not the only one.

If we want to start at the tip of the iceberg, the Region 7 administrator of the EPA is on the record as saying that the voluntary, collaborative approach is the role model everyone else should be working off of, and the best way to meet the challenges of today and tomorrow. Agriculture is doing that.  It is doing it right outside my front door, in the little watershed I live in, Badger Creek.

The approach that the Des Moines Water Works is taking is not making it ‘urban vs. rural.’ It is making it the Des Moines Water Works vs. everyone else involved. It is also introducing a new legacy, one of litigation.”

If I didn’t say it exactly like that, I should have.

A Hell Raiser after All

“Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.”

-Herman Melville (opening paragraphs of Moby Dick)

We weren’t water people when I was young. There were no summer trips to the pool, or Sunday rides on the lake. My mother insisted we all take swimming lessons anyway, and so I did for three or four years. I would say the time was wasted on me, but that is not entirely true. While I was not among the kids that left the class with the skills required to avoid drowning altogether; I avoided drowning for its duration, and this suited me just fine. I didn’t plan on having to swim again.

When I got a little older I took informal classes on burning bridges. This was considerably easier for me than swimming had been, and in time I could boast I was good at it. In their smoldering remains, being unable to swim left me but one option: Forward. And forward always seemed like the way to go.

Imagine my surprise then, when I got older still, and realized there was no forward any more, nor was there ever as far as I could tell.

The only way I could re-cross the now de-bridged stream was in my mind. This was well.  In my mind was where all my swimming and sailing had been done anyhow. I could dream about being a pirate as well as any other land-locked son of the Midwest, and I could out-pray most of them that the chance to one day do it on the sea would be a cup that would pass my lips. My mind, then, was familiar both with water and all the ways to keep my ass dry. My ass wouldn’t be dry for always.

One day I met a girl who was a water person. She could not swim either, but this didn’t seem to stop her none. It started out simple enough. There were first boats on lakes, then canoes on rivers, and eventually we got down to kayaks. I tended to find my anxiety grew larger as the size of the vessel and the number aboard dwindled.

My introduction to kayaks was on the occasion of her birthday. I had arranged to rent two kayaks from an outfitter in Boone. We were to float down the Des Moines River and underneath the Kate Shelley High Bridge. The original bridge was completed in 1901 and lies alongside its replacement, which was being finished the year we floated down in 2009. It is the longest spanning double track railroad bridge in the United States.

It is named for the Iowa heroine, Kate Shelley, who on July 6, 1881, was awoken after a thunderstorm by the crash of a locomotive on a small creek near the home of her, her mother, and her younger siblings. Taking a lantern she arrived to find the bridge out and two survivors, one of whom urged her to make her way to the depot in the neighboring town of Moingona, just south of Boone. In an hour, at midnight, a passenger train from Omaha was bound through. If no one warned them, it would be a catastrophe.

She followed the tracks, reaching the trestle bridge that laid over the Des Moines River. As she reached it, her lantern went out, and in the rain of the dark night she was left to crawl on her hands and knees from tie to tie, not knowing for sure when the train from Omaha would happen along wanting to use the bridge too.

She would make it, run another mile to the depot, holler that the bridge was out, and then faint from exhaustion. What she wouldn’t do, however, was see that the oncoming train was sitting there already stopped. It was no matter, everyone gave her an “A” for effort anyway. In 1901, the new bridge was christened the “Boone Viaduct,” but locals soon named it informally after Kate Shelley. “High” was added sometime in the 60s.

My favorite version of the story tells that in approaching the station she was simply too exhausted to speak. She fished in her dress pocket, found a clothespin, and held it high above her head, right before she collapsed. The erudite railroad men recognized the clothespin as the universal sign for “wash out.” The Omaha passenger train was still as stopped as it had been before, she still got the “A” for effort, but now earned additional points for originality.

We set out with a party of 20-30 folks, hauled in three or four vans, a couple of which towed a trailer carrying the vessel of our choosing. Most had chosen canoes; some had chosen inner tubes. Some immediately made their way into the water, and it was my preference to let them all go before we did.

I had no idea how to properly get into or launch a kayak, and I wanted to make sure anyone who might know didn’t see me do it. As a general rule, I will make an ass of myself, but I hate to do it with an audience. As a general rule, an audience usually happens by anyway.

The mop-headed high school kid, remarkably glassy-eyed for having just drove our van, was now in the process of getting our kayaks ready. He seemed an unlikely confidant, but any other contenders I had already let slip into the current. He would have to do.

“So I’ve never actually….driven…err…riden…that is to say got into one of these things before. Any pointers?”

He looked at me and said, “Yea. Don’t tip it over, man.” He offered a laugh, but I didn’t take it. He recovered.

“If you do, dude, you don’t have a thing to worry about. You’ll pop right freaking out of it. It’s completely natural. My buddies and I just went down here last weekend. You will be able to standup and touch bottom anywhere. Between all of that and your lifejacket, you’ll be just fine.” These were the words I floated out into the Des Moines River on.

Being a fairly tall guy, there would be a couple complications. The first had to do with the kayak. To my surprise the seat went far enough back and wasn’t the issue. My feet on the other hand found the quarters on their end kind of cramped. There was not enough room to simply point my toes up nor was there room to angle them in or my heels out. The only thing I could do was point them as far ahead as I could.

It was far from comfortable, and I had no idea how I was going to survive a two or three hour float by doing it. I remember looking ahead and seeing all the other people. The adventurers had already set out to distance themselves from the pack. Those with small children were already in the midst of adventures of their own. Bringing up the rear were me, my wife, and my painfully big feet.

I did what was natural for anyone to do. I was sitting in an area of sufficient size, so I simply brought my knees up to my chest. There I sat comfortably, albeit for a brief while, until I realized why no one sits in a kayak like that. I no longer had any balance. I had little to begin with.

All the sudden I could feel the kayak suddenly pitch to my left. I threw everything I could muster to the right. The kayak flipped over, and I came out just as the glassy eyed kid said I would. What I couldn’t do, however, was touch anything resembling a bottom. I now found the second complication of being a bigger guy on an outfit geared to accommodate the masses.

In the midst of my rapidly flailing arms, I discovered my lower lip’s natural position was just scarcely above the waterline. In fact it was so close to it, it wasn’t unreasonable to assume the rapid flailing of my arms was the only thing keeping my lip above it. It’s a challenge to be in full panic, flail your arms, and breathe all at the same time. While I tried to do the latter, I found I preferred the first two more, and gave up on it. Eventually I tried to get maneuvered somewhere where a bottom could be found.

The stroke I chose was the doggie paddle, beings as how this was the only one I knew that let me keep my head above water. We were on the far side of a bend in the river. The bank closest to me was being actively cut and stood above the water like a wall. A hundred yards away on the inside of the bend was a sandbar. I set my sights on that.

The doggie paddle, or at least how I was practicing it, is as effective for swimming as is shoveling the snow out of my driveway with a fork. I managed to take two or three yards off the distance, but by that time I was exhausted. I tried again to touch bottom, and I couldn’t.

My wife had retrieved my kayak and was beginning to understand that I was in trouble. She placed it just ahead of me, between myself and the sandbar, in the hopes that I would grab hold. I reached out and knocked it out of the way.

She stopped it with her paddle and pushed it back. As I looked over at the sandbar of my salvation, a bright red wall came floating back across my view. I pushed it again. “No,” I managed to get out.

I couldn’t imagine getting my arms far enough out of the water to get around it. There really wasn’t anything I could see to get a grip on. I couldn’t take having the view of that quiet little sandbar taken from me. I guess I had become partial to it.  I began to wonder if they served beer there.

“What do you want me to do? Just tell me what you want me to do.”

I could look down stream and still see most of the party we left with. There was one guy, in a kayak as well, looking back. I remember thinking of hollering for help, but then I thought, For Christ’s sake, don’t make a scene about it. Drown quietly.

There was enough of a current that my wife had to put forth a little effort to keep from leaving me. She’d paddle a little all the time, darting this way and that, and I could see how nervous she was.  I began to forget how nervous I was.

“I’m getting in,” she said.

I managed to get out a “No you are not.”

“Yes. I am.”

“Listen to me.  No.”

I had read somewhere that most of the time there are two drowning victims it is because the first wraps their arms around the second. I was quite certain I would do it too, and I was intent on it not happening. She had a paddle to knock me out with, and if she had done it I would have had no argument. She was too soft hearted, though.

Her nerves had her paddling harder, and instead of keeping even with me she was about to paddle right on by. She had to turn the kayak to keep from doing so, and that is when I saw it. There on the back of her boat, held by a little string, was a red t-handle just above the water line. I latched on to it before she could get in and have me latch on to her.

She paddled for the sandbar I had been dreaming about. On one end of it were barefoot kids whose parents were already needed a break from their river adventure.  On the other end was me, washed ashore like a shipwreck survivor.

The man I had noticed in the kayak had noticed me after all. He nudged the kayak we had left behind up on the bar beside me and placed my paddle back inside.

“There is no way we can go on.  You nearly drowned,” my wife said.

I looked back the short distance to where we had left. The vans and my confidant were gone.

“Well I’m not walking back to Boone. Looks like on down is the only way to go.” I was hoping “on down” would be downstream.

It was, and I went keeping my toes pointed straight ahead the whole time. When we got to Kate Shelley’s bridge, I took it in as well as I could, trying to keep my larger than average head perpendicular to the rest of my body, so as not to cause the kayak to list. I’m sure the view was just as good from the backside, but I never turned my head to take a look.

When I arrived at our destination, I thought I had accomplished a feat no less than the one Kate had.  She hadn’t saved anyone either, after all. But no one single person made a commotion about it. My effort had earned no great notice. Seems like the only thing I could have done to have made the paper was to have not come down it at all. They don’t name a bridge after you for that though. You get a chunk of concrete in a row some place.

For a while I thought it was something to have decided I was going to drown quietly, without making a commotion and all. I thought it separated me from other men. A few years later I was plunged into deep water again, deepest of my life, and this time I was on my own. I would realized drowning quietly is what most men do.  I had been no different.

It was then that I came to an appreciation of bridges that don’t burn, of the humble doggie paddle, of those that see you need help without your asking, and the special ones that help you quietly raise some hell after all.

In the Beginning (Before There was Football)

God2-Sistine_Chapel

Wikipedia tells us that Michelangelo’s Creation of Adam, found in the center panel of the ceiling of the Sistine Chapel, is rivaled only by the Mona Lisa as a famed piece of art.  Michelangelo completed it in just three weeks in October of 1511, and since that time numerous theories on its meaning have been put forth.  I would only mention a few of the most common here.

Frequently noted are the mirrored images of Adam and God, which seem to underscore the biblical line of Adam being created in God’s image.  Noted as well is Adam’s relaxed state, juxtaposed to the purpose driven God and the strain of the accompanying wingless angels bearing him along.  Nearly every discussion will also mention the feminine figure in God’s embrace.  Some, given her longing look to Adam, view her as Eve who hasn’t got down to the ground just yet.  Others view her as the Virgin Mary, with the child beside her, on whom God’s hand is resting, being her son, the Christ.

Considerable thought has went into the velvet backdrop God and his traveling band are arriving in.  One interpretation sees the backdrop as nothing short of an actual womb, with the green dangling scarf being the umbilical cord which gave our newly created, ideal, and idle man his navel.  A second interpretation sees in the backdrop an anatomically correct representation of the human brain.  In this interpretation we find two main camps.  One sees this as suggesting we can find God via our intellect.  The other sees it as a subtle suggestion that God is the product of our own mind.

At the time of the writing of this blog, Michelangelo seems to have no further comment on the subject, which would be notable, I suppose, if not for the fact that he is dead.  Should he comment, the blog will make an appropriate note of it, though the reader would have likely heard about it elsewhere first.

I became curious on the painting several years ago, when I was in a Des Moines office, and across from me, above the coffee table housing Newsweek, Time, and Sports Illustrated, was what I assumed to be an actual size reproduction of the painting, focusing solely on the two hands at its center.

Creation_of_Adam FingerI was already well aware that many felt this image from the larger panel had captured the intimate closeness of the human and divine, close but not quite touching.  In that office, however, being occupied by this image instead of the magazines, I realized for the first time that the painting also suggests it doesn’t have to be that way.  It doesn’t appear to be God’s intent.  All our ancient ancestor had to do was snap out of his leisure for a moment and straighten out his finger.  Instead, Adam, relaxed and taking it day by day, is about to miss taking advantage of the moment.

The common interpretation of the painting says that God is reaching out, about to give Adam the spark of life.  I am hardly an expert, but it appears to me Adam is already alive.  I wonder who the first one was to suggest that, all those centuries ago?  Someone should have told him to stick a sock in it, assuming they had socks in Michelangelo’s time.

Michelangelo seems to be representing the purpose driven fullness of the divine, and man not acquiring it because he prefers instead to lounge around on his ass.  Today we have many things to make this experience more enjoyable.  Michelangelo didn’t.  Poor guy painted the Sistine Chapel on his ass just trying to pass the time.

Perhaps in 1511, Michelangelo noticed Adam’s progeny had not fallen far from the tree.  This would leave his commentary at the very least as much about man as God.  It’s likely we fell no further in the centuries since, though all the centuries from Adam on have at least introduced the concept of decency.  Today I lounge around on my ass watching football fully clothed mostly, laying there as the pinnacle of human breeding.

In another couple of weeks, Christmas will be here.  Another of the noted days when God again extended himself to man.  I suppose he probably does it every day.  Maybe we ought to try to poke a finger back sometime; when there isn’t a football game on of course.

Something Old but New Again

Sometimes we are tempted to think our grandparents knew all the secrets we haven’t figured out yet.  So we bestow on them reverence, as though they had an understanding which surpassed our own.  We neglect to account for the fact that when our grandparents knew it, it wasn’t a secret yet.

This past summer I did something I hadn’t done in a long time.  Truth be told, I may have never done it at all.  I wrote letters, actual letters, letters which bore my own chicken scratches, that were sealed in an envelope, which was plastered with a stamp and then sent to roam half the world and half its people till it found the one I meant it for, in whom I hoped it may find approval.

The technology is centuries old and as amazing now as it was then, if you want to take the time to think about it.

The real marvel, however, the most pertinent thing which escapes us and our technology of today, is what takes place once the letter finds the addressee.  Opening it, they find a little part of whoever it was that sent it.  For the sender this part had aged for several days and had gotten old, but half way around the world this old self becomes new again in the eyes of another.  For a moment, two different versions of ourselves exist in two different places at the exact same time.

Somehow in all the world, a letter found them, and my old self was made new again and got a second chance to do some good.  I hope it did.

This has been replaced by the celebrated technology of today, which gives us instead the remarkable ability to be the same old ass in two different places at the exact same time.

A Church of Sorts

Growing up near a rural town in Iowa, one discovers the only other things more than a couple of stories tall besides the water tower are church steeples and grain elevator legs. When I was married in one of the former, I was working in one of the latter. The elevator is called BB&P, and sits on the north side of Winterset. In planning the slide show for the wedding, my wife to be came across a picture of me at the age of three, donning a seed cap and a bright red jacket, both with a checkerboard logo and the embroidered name of the elevator I would come to work for. “That’s so going in,” she said.

It was at this time that I began to wonder if I had been indoctrinated at an early age into a church of sorts with a grain leg for a bell tower. While some may think that sacrilege, my intent is not to offend.  I can only say upon reflection several similarities have emerged.

My earliest memory of the place was my sisters and I filing in the door to be greeted by one of the owners, Dean Molln. “You guys look thirsty,” he astutely observed and began to fish into his pocket to find the quarter the pop machine required. I might have been five or six at the time, and over the coming years this scene would be played out repeatedly. One would hear the click of the button, then the subsequent hum of the machine, and finally the loud “clunk” as the bottle came home.  Dean would pop the top off, give it to my youngest sister, and we would all pass it around.

The taste was wonderful; the bottle ice cold and dripping in what I now recognize as nostalgia itself. That, I suppose, was my baptism. Not by Holy Water, but instead by an ice cold Coca-Cola from a blue and white Pepsi baptismal font. All of it was much to the pleasure of our smiling parish priest of sorts, a priest could have taught the rest of them a thing or two about telling good jokes and cussing properly.

Inside the door today, as has been for decades, a long countertop nearly spans the length of the room. Across that countertop homilies are frequently offered on our current state of affairs, from political candidates and pending legislation to anything of note form the newspaper, TV, or radio. (Quieter ones are sometimes offered by patrons on more local affairs.) A solution to many of the world’s problems has likely been stumbled upon several times, but seeing how no one is in a position to implement it, it is left to be stumbled upon again.  The dead are eulogized, often more candidly than during the service. The crop is declared damned, then saved, and then damned and saved again, and rain is asked to come or go.

My first communion took place across this counter, just after I had pulled my shaky leg off the clutch pedal, having brought my first load of grain successfully into town. In doing so I crossed the scale, which leveled me with all others.  A couple of years later, at my confirmation, I was able to sell grain and make purchases on my own accord.

Incense was often part of the daily service here, before state law forbid it. On special occasions, like at the end of a long day, the completion of a hard job, or just before the undertaking of something no one wanted to do, it wasn’t uncommon to come in the back door and find Bob Rhodes with his pipe, and Jim Cook, Nick Beck, and Larry Molln (another owner) with their cigarettes. There was so much smoke in the air, it was impossible not to feel a sense of reverence as they were lost deep in the midst of their meditations.

Now off to the right of the main office, across the red and white checkerboard floor, is the mill room. In there one can find Mike Corkrean or Gary Dudney spinning the wheels, pushing the pedals, pulling the cables and turning the chains necessary to bring the hammer mill and mixer whirring to life. Many a boy has stood in there, as much in awe of the factory of motion and sound as though it were a grand pipe organ. I would suppose there are organists to which the whirr of the hammer mill is preferable, but none were ever coated in the residue their notes left behind.

In the back right corner is Paul Bruett’s office, the elevator’s agronomist. He handles seed sales, and does his best to exorcize any blight, deficiency, or petulance that afflicts the crop.

In the back left corner, down the hall, first door on you right is the accountant’s office. In it Pam McCullough sends out the monthly tithing request and takes in whatever offerings the congregation has for the moment.

The first door on your left is Bob and Peggy Casper’s office, also owners. While it is very much the working office, with mail coming in or going out, records kept on file, and situations being handled as they arise, it also has a secondary purpose. It’s where you come to confess your best laid plans did in fact go a rye. Your penance is nearly always another year of trying it again.

Finally, on the left of the counter is a small shop of sorts. There everything broken is mended. I wouldn’t be surprised if Lazarus himself steps out of it someday.

Marriages? Oh there are marriages. Some employees have never known another job, others had, but after finding this one have stuck with it for decades, Yes, over the years there have been a few divorces. Some were amicable, some not. Some quiet, and others filled with all sorts of fireworks.

All that is missing, I suppose, is the altar boys. I’m afraid even I can’t compare the guys at the shop to altar boys. I would admit, though, they could give them one hell of an education.

The door is nearly always open. The families of the men that work here sometime have Thanksgiving in the evening because the day was spent hauling anhydrous to the customers, or unloading grain. Employees work those days because the owners work those days, and you forget about what you’re sacrificing when you see the sacrifice of another. It’s not done to make every last dollar, but in order that customers may not know need. That has allowed the business to know a lot of customers.

One day I was getting lunch in town. The woman ahead of me, with her young son, turned and asked, “You work at BB&P, don’t you?”

“Yes,” I said.

She continued, “This one’s first word was tractor,” pointing towards her son, “and his second word was BB&P. None of my family knew what the hell he was talking about, but my husband’s sure did.”

I smiled and thought of how another one had been brought into the fold.

So is it a religion then? Of course not. But it is something, I suppose.

The Snow

Who was it that said the snow should fall upon the ground,
as it lay barren and lifeless in the winter time?

The ground does not mind the freeze.
It hurts it not, but breaks and heaves it,
so it might be softer in the spring.

Instead, over the tears of a cup of coffee,
Or the unvoiced fears of a friend,
In finding the lonely with all of their company,
And those finished before they start again,

Frozen, I think, we just get harder
and less receptive to the spring,
more unwilling to let establish
whatever might that season bring.

Let the ground lie cold and naked.
Our being hard is not a virtue;
let the snow blanket us instead.

Who was it that said the snow should fall upon the ground,
as it lay barren and lifeless in the winter time?

Getting Your Shit Together

Sometime ago I started with the goal of trying to write once a week.  On occasion I do not, but generally I have been able to adhere to it.  This week I nearly missed.

The goal had a simple premise behind it:  we should spend our lives doing what we enjoy, that if we are not careful we won’t, and we will find it all slipped away.  Surely I could come up with something human to write about once a week, I thought.  Surely being human is a common experience.

It isn’t, though, and that’s the funny thing.  We tend to hide what most makes us human.  None of us hides it perfectly, and an observer sometimes finds a glance, or movement, or word from us which lets them slip in without our knowing.  These are the moments we try to capture in our photographs, and our writing, and our art.

In these instances the creator generally works to cover it back up again, leaving it to find for those with the eyes to see or ears to hear.  They avoid giving it away for nothing, and maintain respect for whatever it was someone was trying to hide in the first place.

When I wrote about fall in Northeast Iowa, for example, it was about my fear of my father’s declining health.  I tried to get death to subtly work its way in and out of the piece in the topics of divorce, and autumn, and the effigy mounds, not being able to get up the hill, etc.  I took the topics I couldn’t touch on with those closest to me and found a way to share them with anybody and their brother.

I never could quite get it right, but it still lays out there, to take up and edit again, and that’s the wonderful thing about writing.  Most of the words I have said failed when they left my mouth, and the ones I should have used always come to me after the moment has passed.  In the ones I write lie the hope that someday I’ll get ones in the right place at the right time.

A couple of days later, Dad was back up on his feet again, and I was off on other topics.  If I don’t watch it, the piece will get away from me, and Dad will too.

Now on occasion we run into people not playing the same game the rest of us are.  They feel no need to make it look like everything is under control.  Or if they feel that need for everyone else, for some strange reason they don’t feel they have to with you.  I ran into one this week.  The subtle hints were gone, and I was hit over the head with what it was like to be human.

In doing so it stripped away my own subtly, my dry wit and confidence and left in their wake the anxious little boy of my youth, naked and knobby kneed.  I was embarrassed and I was certain I’d be abandoned for it.  I wasn’t.  The boy I couldn’t accept, they accepted just fine.  I hope I had done the same for them.

It should be so rare in life, and if it wasn’t, it wouldn’t have felt so remarkable.

Typically I write the words I’ve paid a price for.  But the only price for these was a little embarrassment, and what I got in return was far more valuable.  I had got the better end of the deal, and for that I owe.

It seems the only way to pay the debt is to do it for someone else, and that advice I offer freely to anybody and their brother.

“Life is messy,” they said.  Yes, and sometimes our maintaining it isn’t only makes it worse.  We miss out on all the good things that come from getting caught not having our shit together.

The Tree in Your Yard

Tree at my window, window tree,

My sash is lowered when night comes on;

But let there never be curtain drawn

Between you and me.

 

Vague dream head lifted out of the ground,

And thing next most diffuse to cloud,

Not all your light tongues talking aloud

Could be profound.

 

But tree, I have seen you taken and tossed,

And if you have seen me when I slept,

You have seen me when I was taken and swept

And all but lost.

 

The day should put our heads together,

Fate had her imagination about her,

Your head so much concerned with outer,

Mine with inner, weather.

 

Tree at my Window  -Robert Frost

At one time, while this place was still being settled, people would plant trees in their yard. They say it was for the shade mostly, but seldom have I ever seen anyone sitting in the shade of the tree in their yard. I suspect it was to make a new home homier, for a tree is nearly as fine a thing to come home to as a house is.

Some people still plant trees, but the country is settled now. The existing ones go along with the houses they are attached too. Whatever dreams were to have taken root with them, whatever hopes and longings, they are now simply included in the purchase price. “Thrown in” as they say, given the fact that they never impact the price in the least. It seems the highest hopes and the highest dreams trade at the same rate as the lowest of them.

All our hopes and dreams appear to be of equal value. If not to us, then to the next ones.

One evening last week I got home in time to take my daily hike to the mail box and see if I got anything of note beyond the political mailings, limited time offers, and bills the day typically offers. I had not. I seldom do. I thought of taking the mailbox down altogether but then thought I might get something of note someday. So I left it up. As I walked back, I glanced at the oak in the corner of my yard.

There, in the light of the early evening, I found half the tree a magnificent gold and speckled in green. The other half was a dark, somber green speckled in yellow. It seems the tree was at odds with itself on whether to embrace the current season upon us, or hold on to the summer that had passed. I too get at odds with myself on such matters, and think I might make a fine tree someday. That is if one should someday take me up and relieve me of being part of the plain, ordinary grass.

I wouldn’t help its value none, but I wouldn’t hinder it either, I suppose.

2014-10-23_07.26.21_resized_1

Taken the next morning, and already decidedly more yellow.

Across the way, at my parent’s home, stand a row of pine which witnessed the rise and fall of the family that planted them, and still hang around, ever green, for whatever it is that will happen next. Not being native, they shed a few needles in the fall and make an attempt to fit in. This is the tree equivalent to crocodile tears, however, and as winter arrives and their neighbors disrobe, revealing the spindly and knotted nature their leaves had been concealing, the pine attempts to keep its dignity.

Planted by the Breen family around 1885.  They were to have had an abundance of potatoes in their cellar, and so they threw a few in the bottom of each hole.

Planted by the Breen family around 1885. They were to have had an abundance of potatoes in their cellar, and so they threw a few in the bottom of each hole.

It keeps so much of it, though, at times it looks down right gaudy. In trying to maintain dignity’s appearance, it forsakes most of it. This not unlike the new neighbor, coming over and partaking in your Busch Light, only for you to visit him one day and find his fridge stocked with various micro brews.

In my yard, though, sat a red oak. This is the tree which keeps its dignity. Its leaves would turn, even if half of them didn’t know it yet, and what will happen when they do gives the oak the dignity denied the pine. Instead of discarding the old, dried out remembrances of what was, the red oak keeps clothed in them until it catches a glimpse of spring. It neither throws what happened to the wind, nor maintain a false green countenance to suggest nothing did.

This particular tree was planted in 1975, when my grandfather and grandmother built a new home, leaving the old to Mom and Dad so they would have a house big enough to raise a family in. During the drought of 1977, it seemed the tree had died, but in three shoots showed up at its base in the spring of 1978. The new shoots became small talk between my Dad and Grandfather as the latter battled cancer.

“You should pick the strongest one,” he told my father, and so my father did.

I suspect the other two’s leaves would have been as much at odds as this one’s was, and I suspect they would linger just as long as this one’s will. What then was it that made this one the strongest? I don’t know, and no one will ever price it.